When George Bellows died at the age of forty-two in 1925, he was hailed as one of the greatest artists America had yet produced. In 2012, the National Gallery of Art will present the first comprehensive exhibition of Bellows' career in more than three decades. George Bellows (1882–1925) will include some 150 paintings, drawings, and lithographs. Bellows is arguably the most important figure in the generation of artists who negotiated the transition from the Victorian to the modern era in American culture. This exhibition will provide the most complete account of his achievements to date and will introduce Bellows to new generations. The accompanying catalogue will document and define Bellows' unique place in the history of American art and in the annals of modernism.
The exhibition will begin with Bellows' renowned paintings of tenement children, boxers, and the urban landscape of New York. These iconic images of the modern city were made during an extraordinary period of creativity for the artist, from shortly after his arrival from Columbus, Ohio, in 1904, up to the Armory Show in 1913, and remain his best-known works. They include Forty-Two Kids, 1907 (Corcoran Gallery of Art), New York, 1911 (National Gallery of Art), Stag at Sharkey's, 1909 (Cleveland Museum of Art), and Snow Dumpers, 1911 (Columbus Museum of Art).
Complementing the earlier signature masterpieces will be groupings that bring to light other crucial, yet less familiar aspects of Bellows' prodigious achievement, including his Maine seascapes, sporting scenes (polo and tennis), World War I subjects, family portraits, and Woodstock, NY, subjects. Drawings and lithographs will illuminate Bellows' working methods and the relationships between his various media. The show will end with paintings from 1924, the year before his sudden death from peritonitis. These last works, including Dempsey and Firpo (Whitney Museum of American Art) andThe White Horse (Worcester Art Museum), will prompt visitors to contemplate the artist Bellows might have become had he lived into the 1960s like his great contemporary, Edward Hopper.
Organization: Organized by the National Gallery of Art, Washington.
Sponsor: The Terra Foundation for American Art is the proud sponsor of the exhibition in Washington and London.
The exhibition and catalogue are generously supported by the Henry Luce Foundation.
In Washington, the exhibition is also made possible by the Cordover Family Foundation with additional support provided by The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts.
Schedule: National Gallery of Art, Washington, June 10–October 8, 2012; The Metropolitan Museum of Art, New York, November 14, 2012–February 18, 2013; Royal Academy of Arts, London, March 16–June 9, 2013.
Passes: Passes are not required for this exhibition.
The exhibition will be on view in the West Building of the National Gallery of Art, Main Floor.
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