The Geometry of Kandinsky and Malevich

Russian artists Vasily Kandinsky (1866–1944) and Kazimir Malevich (1878–1935), considered two of the pioneers of abstraction, separately explored a geometric vocabulary during the course of their careers. Malevich is recognized for his circa 1914 invention of Suprematism, an abstract style expressing universal truths through the interrelationship of color and geometric forms. On the other hand, Kandinsky, who was also interested in the universal qualities of geometry, increasingly utilized geometric motifs in his art in the early 1920s, when he took up a teaching position at the Bauhaus, a school of art and applied design in Germany. Unlike Malevich, Kandinsky insisted that even his most abstract work retained expressive content. Each artist would ultimately reinvent himself yet again at the end of his life: Malevich returning to a representational mode, and Kandinsky’s formal vocabulary altering to feature a softer palette and biomorphic forms.The Geometry of Kandinsky and Malevich examines each artist’s distinctive approach to abstraction through a focused presentation of eight paintings. This exhibition is curated by Tracey Bashkoff, Curator of Collections and Exhibitions, and Megan Fontanella, Assistant Curator.

Comments and reviews

Nobody has written any comments or reviews yet. Why not be the first to have your say?

Write a comment or review

Contact information

Guggenheim Museum
Guggenheim Museum
1071 Fifth Avenue (at 89th Street)
New York
United States
212 423 3618
[email protected]


Get the App!