The Musée d’Art Moderne de la Ville de Paris is pleased to be presenting the first French retrospective of Chinese painter Zeng Fanzhi from 18 October 2013 to 16 February 2014. Highly respected by private collectors and museums, Zeng Fanzhi has been deploying since the 1990s a distinctive language marked by his kinship with both Asian art and the many Western influences he has been subjected to. Confronted with this all-embracing style, the viewer is reminded of Chinese landscape painting at the same time as he thinks of Warhol, Bacon, Balthus and Pollock.
Nonetheless, Zeng Fanzhi's oeuvre can hardly be reduced to an assimilation of traditional and modernist paragons. In his use of many different styles and themes, the artist combines a rigorous spirit of painterly and intellectual investigation with great technical control. Looking at these canvases, the spectator is left facing something infinite, as if pulled into the artist's inner world.
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